Jessie Murph – 1965 Ringtone

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Jessie Murph – 1965 Ringtone Download

Jessie Murph’s song 1965, from her 2025 album Sex Hysteria, has stirred intense controversy due to its provocative lyrics and unsettling music video. Upon its release, it immediately ignited debates across music journalism, fan communities, and mainstream media, primarily because of its nostalgic references to the mid-20th century and the perceived implications about gender roles and domestic relationships.

The song’s lyrics reference a romanticized version of the year 1965, with Jessie singing lines like “I think I’d give up a few rights / If you would just love me like it’s 1965.” The song seems to present a yearning for what some may perceive as a simpler era—when love, commitment, and traditional gender roles were seen as the norm. However, this sentiment is loaded, as 1965 was also a period marked by limited rights for women and systemic inequality. Another controversial line, “I might get a little slap-slap / but you wouldn’t hit me on Snapchat,” created an uproar for its juxtaposition of domestic violence with commentary on modern dating culture. Critics and listeners alike questioned whether these lines were meant to be ironic, sincere, or something in between.

Media outlets like GQ attempted to unpack the controversy, suggesting that the song may be a satirical critique of the so-called “trad-wife” movement, which romanticizes traditional gender dynamics and housewife culture. According to the piece, Jessie Murph might have intended to highlight the absurdity of such fantasies by pushing them to their extremes. However, critics noted that the execution was flawed, as the satire wasn’t immediately apparent, leading many to interpret it literally or as glamorizing abuse.

The backlash intensified after Murph performed 1965 on The Tonight Show, where the lyric about giving up rights went viral on social media. That exposure triggered deeper scrutiny, especially from feminists and activists who argued that the song trivialized historical struggles for women’s rights. Adding fuel to the fire was the official music video, which premiered on July 18, 2025. Styled with 1960s aesthetics—vintage furniture, outfits, and grainy visuals—the video takes a dark turn, depicting explicit sexual content and scenes of psychological and physical abuse. The most widely condemned moment involved a child appearing just before a graphic scene, prompting accusations that the video crossed ethical lines and veered into the exploitative.

Jessie Murph defended the video and the song in interviews, particularly in Teen Vogue, where she said the song was intentionally provocative and that she “loves rights—specifically for women.” She emphasized that her intent was to mock regressive nostalgia, not endorse it, and insisted she would rather be hated than ignored. However, this explanation did little to stem the outrage, and the discussion quickly became polarized between those who saw the piece as an audacious commentary on culture and those who viewed it as tone-deaf and harmful.

Online discourse, especially on platforms like Reddit, mirrored this divide. Some fans claimed the song was misunderstood and argued that Murph was using exaggerated absurdity to critique dangerous ideas, much like satire in literature or film. Others felt that the lack of clear narrative cues in the lyrics and visuals made the irony indiscernible and therefore ineffective.

1965 exists within the context of Sex Hysteria, an album that blends trap, R&B, country-pop, and hip-hop influences. The album features guest appearances from Lil Baby and Gucci Mane and builds on Murph’s growing reputation for fearless, sometimes reckless emotional honesty. While tracks like “Blue Strips” were well-received and charted highly, “1965” became the defining flashpoint of the project—highlighting both Jessie Murph’s ambition and the risks of blending provocative storytelling with sensitive subject matter.

In the end, 1965 became a cultural litmus test—revealing deep divisions over how irony is interpreted in pop music, what responsibility artists have to clarify their intentions, and how audiences process complex depictions of violence and gender roles in art. Whether the song is remembered as bold satire, artistic miscalculation, or a damaging misstep remains a matter of perspective. What’s certain is that Jessie Murph succeeded in making people talk, even if not always in the way she intended.

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Jessie Murph - 1965 Ringtone Download Cover Art

1965 Ringtone | Song Info

Album: Sex Hysteria
Released: July 18, 2025
Genre: Pop
Songwriters: Jessie Murph, VYNK, Steve Rusch & Laura Veltz
Producers: VYNK & Steve Rusch

Jessie Murph – 1965 Ringtone N Lyrics
My hair is high, coke is cheap, it’s a great time to be alive
Studies are now saying that cigarettes are recommended and women belong in the kitchen

We’d go to church on a Sunday, wake up on Monday
You’d go to work and I’d stay home and sing and do fun things
I might get a little slap-slap, but you wouldn’t hit me on Snapchat
Don’t fucking text me at 2 a.m. sayin’, “Where you at, at?” Boy, fuck you

You’d handwrite me letters when you went away
You’d make me feel better, you’d know what to say
And maybe you’d still be a ho
But if you cheated, hell, I wouldn’t know

I want you to love me (Hair up high, hair up high, hair up high)
Like it’s 1965, oh (Hair up high, hair up high, hair up high)
I want you to want me (Hair up high, hair up high, hair up high)
I think I’d give up a few rights (Hair up high, hair up high, hair up high)
If you would just love me like it’s 1965

You’d show up at the door with flowers and ask me
What I am doing an hour half past 3
We’d go to diners and movies and such
We’d just hold hands and I’d love every touch
And I would be twenty, and it’d be acceptable
For you to be forty, and that is fucked up, I know
But at least you wouldn’t drive off before I get in the fucking door
You fucking fuck, fuck you

I want you to love me (Hair up high, hair up high, hair up high)
Like it’s 1965, oh (Hair up high, hair up high, hair up high)
I want you to want me (Hair up high, hair up high, hair up high)
I think I’d give up a few rights (Hair up high, hair up high, hair up high)
If you would just love me like it’s 1965

I guess Bud Light didn’t exist
Fuck, and I guess movies didn’t exist
Maybe they did, I’m not sure about that timeline, but
I’m sure about you are mine and I am yours
And I’d fight matadors
And Dirty Dancing wasn’t a thing yet, I love that movie, fuck
But oh, we could read a lot of books

Jessie Murph – 1965 Ringtone Free Download
Jessie Murph – 1965 Ringtone

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