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Florence Welch has always written as though she were standing at the edge of something—sometimes the abyss, sometimes a cathedral of light. With her new single One of the Greats, the tension feels sharper than ever. The track arrives as the latest glimpse into Everybody Scream, Florence + The Machine’s sixth album, due this Halloween, and it might be one of her most brutally honest songs to date.
The story of its creation already has the aura of myth. Welch was in the studio with Mark Bowen of IDLES, who began strumming a guitar riff. Instead of working through drafts or sketches, she read the lyrics directly from the page and sang them in a single take. They considered re-recording it later, refining it into something more polished, but when they listened back, there was no denying the raw immediacy of that first run. Aaron Dessner later stepped in to help shape the song’s final form, but what we hear is still very much the urgency of its birth.
That urgency spills into the lyrics, which strike at the fragile cost of ambition. Welch calls the piece “a long poem about the cost of greatness,” and it is as much confession as it is accusation. The line that critics have seized upon—“It must be nice to be a man and make boring music just because you can”—cuts with a kind of exhausted clarity. It is not only a jab at mediocrity in the industry but a reminder of the unequal standards female artists face. Where men are allowed to retreat into the mundane, women are told to prove themselves extraordinary every time, or risk being dismissed entirely.
The song also carries the weight of her near-death experience. During the Dance Fever tour, Welch underwent emergency surgery, a moment that left her confronting the limits of her body and the fragility of existence. That brush with mortality lingers in “One of the Greats,” where she admits that every album feels like a small death, a draining of the spirit followed by the strange necessity of resurrection. The sound mirrors that sentiment: the instrumentation is stripped back, its chugging guitars and unadorned pulse providing a stark backdrop to Welch’s soaring vocals. It is not ornate or euphoric in the way some of her biggest anthems are. Instead, it’s lean, almost skeletal, letting her voice carry the full weight of the message.
Critics have been quick to praise its directness. Some call it scathing, others a bold pivot into a darker and more reflective space. Fans, too, are parsing the sharpness of her words—some exhilarated by the blunt honesty, others surprised by how plainly she names the frustrations that have always simmered beneath her work. What unites most listeners is the recognition that Florence has once again turned her private battles into something that feels universal, an anthem not of triumph but of survival.
One of the Greats may be less about crowning oneself legendary than questioning whether greatness is worth the sacrifices it demands. For Welch, the act of creation has always teetered on the line between transcendence and destruction. Here, she doesn’t resolve that tension. She inhabits it, and in doing so, offers a song that feels like both a wound and a revelation. If this is the tone she’s setting for Everybody Scream, Florence + The Machine’s next era may be her most fearless yet.
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One Of The Greats Ringtone | Song Info
Album: Everybody Scream
Released: September 24, 2025
Genre: Rock
Songwriters: Florence Welch & Mark Bowen
Producers: Mark Bowen & Aaron Dessner
Florence + The Machine – One Of The Greats Ringtone Free Download
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